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Twitter (@pumbertop)
- congrats to @ghaoyuxin @lovedeathsorrow @commonopera on winning a BAFTA for their awesome documentary game! twitter.com/lovedeathsorro… 1 hour ago
- RT @lovedeathsorrow: We won the first ever BAFTA Student Award for Immersive with Out For Delivery! ^__^ Congrats @ghaoyuxin <3 . . . luv… 1 hour ago
- RT @AMazeFest: *WINNER* DIGITAL MOMENT AWARD! Congrats to @harriharrigame “Adventures of Harriharri is an inventive game-world specific… 1 hour ago
Selected Previous Posts
- Player as Foiled Detective: Negative Game Mechanics, Attention, and Neoliberalism in Killer7
- Freedom/Determinism and the Plot Twist Trope
- Triple-A Aesthetics and the Politics of Appropriation
- Tearing at the Surface: Foreshadowing, Twists, and Ludodiegesis in Corrypt and Portal
- Competitive Spirit: The Abstraction of Play in Dyad
- Little Things in a Big World: Terrain, Proportion, and Mobility in Dark Souls
- The Anticapitalism Allegory of No More Heroes
- Stuck Between Reality and Gameyness: Venturing into Uncharted’s Uncanny Valley
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